"welcome to bardworld"
Next year promises to be a momentous one for Shakespeare - the RSC announced this week that it alone will stage every one of his 37 plays. It seems the Bard's continuing relevance is beyond doubt. But is it purely because of his work? Or could box-office takings also have something to do with it? Here two leading Shakespeareans, Dominic Dromgoole and Gary Taylor offer their contrasting views