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March 30, 2003

methodism (and radiohead)

What's that? Oh, yeah. My work. Let's see. This past week I submitted an application for a grant to cover travel expenses to England this summer. I'm planning to do some research that will go a long way towards turning my dissertation -- on eighteenth-century Methodism, print culture, and oratory -- into a book. The Methodists were uncanny in their exploitation of the print medium, and I'd like to uncover unexamined details about how they produced and distributed their printed material. Also, I'm still trying to work out exactly the contours of their preaching, for which they earned from their contemporaries a reputation as fanatics. My hunch is that they didn't deserve this reputation, but that something interesting is going on with their oral practice. From the application:

The world’s largest collection of rare printed and manuscript materials related to eighteenth-century British Methodism is kept at the Methodist Archives and Research Centre (MARC), located at John Rylands University Library (JRUL) at the University of Manchester in England. The MARC is generally considered one of the most valuable repositories of primary materials in the world for evangelical studies. Most importantly for my purposes, the MARC has singularly important personal papers of not only the founders of Methodism, John and Charles Wesley, but also the personal papers of many prominent Methodist laypeople of this period as well as detailed administrative records of the Methodist Conference, the national policymaking body of the Methodist Church of England, Wales and Scotland. The vast majority of this material is unavailable in printed form or in microfilm collections; research at the MARC is thus the only avenue of access to this material.

I didn't write this part into the grant application, but depending on the timing of my trip, I might even be able to catch a Radiohead show. Alas, all sold out.

self-indulgent autobiography

I've been thinking about the personal effects of war, lately, and even the effects of millitary life in general upon a family. For the first 18 years of my life I lived on or near military posts, moving about every three years. My dad had a 30-year career in the army, serving twice in Vietnam. My sister was born during his first tour of duty, and my dad heard about it in the field over one of those hand-crank radios you see on M*A*S*H. Okay, maybe I'm embellishing the radio part.

When I was 1, during his second tour of duty, we flew to Honolulu to be with him while he enjoyed a little leave time from the war. I have individual pictures of the four of us sitting on the beach in our bathing suits. Not a group picture, mind you. Each of us is pictured separately. My dad is pale, looking off into the distance, and appears to weigh about 98 pounds. My mom, wearing Jackie O sunglasses, looks at the camera, unsmiling. My sister and I are each digging in the sand. What kind of a vacation is that? How do you "relax" when you know that one of you is going back to a war where a great many people are dying? My parents don't look particularly unhappy, just preoccupied. What must the flight back have been like for my mom?

My Uncle Mike also fought in Vietnam, but while my father escaped serious injury, though he did come home with a Purple Heart medal, my uncle was almost killed. In fact, my uncle was being flown back from Vietnam at the same time my dad was flying over for his second tour of duty. I can only imagine what that must have been like for my grandmother: one son on the way home with life-threatening injuries while another son is sent back into battle.

One of my earliest memories is hearing machine gun fire while sitting at the breakfast table in my grandparents' house in Columbus, Georgia, just off-post from Fort Benning. It turned out that someone in the neighborhood had just lost it and needed to let off a little steam. As I think abou t this event now, the weird thing is that to my young mind this event didn't seem all that frightening. Unusual, to be sure, but not scary. I can't understand why this would be.

I was about to write, "It's not like machine guns or violence were a regular part of my life," by which I meant that I did not hear machine gun fire regularly nor was ever a victim of violence. But really, for most of my childhood I was surrounded by weapons and thus violence. None were allowed in the house, mind you, but handguns, rifles, grenades, helicopters, tanks, and fighter jets were as regular a part of growing up for me as comic books and chewing gum. It's easy to forget, perhaps, the tensions of the Cold War now, but as a kid, whenever I heard jets overhead, and this was not altogether infrequent, I thought, "Is this it?"

When your father -- or mother, I assume -- is in the military, it's not like other jobs, where the nature of the employer doesn't really matter. There's a reason for the term "military family." While it never felt oppressive to me, the army permeated family life while I was growing up. When we lived on post at Fort Benning, Georgia for example, each home in our neighborhood had a plaque on the front with not only the name of the officer who lived there, but also his rank. The crossing guards who stopped traffic when I walked to school wore uniforms and carried handguns. Fourth of July celebrations featured tanks and marching soldiers. When we lived at the Army War College in Carlisle, Pennsylvania, every day at five, when the post flag was lowered, no matter where you were or what you were doing, you stopped and put your hand over your heart. Traffic, soccer games, pedestrians, swimming, and anything else came to a halt for the few minutes this ceremony took. Before every movie was shown in the theater, you stood while the national anthem played over a short film of vaguely patriotic images. At the age of ten, every child is issued a military I.D. card. C oming on post, you show your I.D. card to the armed guards at the entrance. You buy your groceries at the commissary. You get health care from military doctors. You sometimes attend Department of Defense schools, depending on how large the post is. You are, to borrow a current phrase, embedded in the military.

So one might think that this kind of full and not unpleasant immersion in military life -- for 18 years of my life and 30 years of my parents' -- would result in some pro-military bias. And yet, I was never pressured to go into the military. I didn't feel that strongly about it one way or the other. Guns, even toy guns, were not allowed in our house, as I said. Most amazingly, when I turned down a full, four-year Air Force ROTC scholarship to Georgia Tech, meaning my parents would have to pay for most of my college education themselves instead of having to pay for absolutely none of it, they didn't say one word to talk me out of my decision. Not at the time, and not once since then. It makes me wonder if, for all the pride I know my parents' felt in my father's military career, they knew more than I or my sister did about the personal costs of a life in the military, a life that, as we are all too aware now, includes the possibility of combat.

March 29, 2003

surround sound home theater

If you're wondering what the surround sound that comes with a probably expensive home theater system sounds like to your apartment building neighbors when they are, perhaps, at home on a Saturday trying to grade assignment from their undergraduate English classes, I think I can help you out. Herewith are the great variety of sonic wonders generated by such a system:

  • War movies: BOOM! rumblerumblerumblerumble BOOM! rumblerumblerumblerumble.
  • Sports: rumblerumblerumblerumble BOOM! BOOM! rumblerumblerumblerumble.
  • Beer commercials: rumblerumblerumblerumble BOOM! rumblerumblerumble.
  • Oprah: rumblerumblerumblerumble rumblerumblerumblerumble BOOM!

Who wouldn't want to spend thousands of hard earned dollars to experience such a rewarding auditory paradise?

Update:

  • Antique Roadshow: rumblerumble BOOM! rumblerumble BOOM!
  • The Today Show: BOOM! rumblerumble BOOM! rumblerumblerumblerumble.
  • MTV's Cribs: rumblerumblerumble BOOM! rumblerumble

kc blogs

I've just discovered that my blog is listed on a directory of Kansas City blogs. How in the world did this happen? And look at all those blogs.

March 28, 2003

spamming mystery

This idiot used to plague me with his unsolicited email sent to my account at the University of Maryland. I complained to him. I complained to the hosts of his email account. I complained to his ISP. Nothing worked. Then I moved here, and I figured my problems were solved with my new email account.

Recently, however, I started getting his stupid "newsletters" again. How could this be? Who is this guy? Is he stalking me? I went through the whole rigamarole of complaint again and eventually solved the problem. Then, looking at the full header of one of his emails, I realized that he had not sent it to my UMKC account but to <ghw at umd.edu>, which was never my email acount at Maryland, but which is bizarrely an apparently active email address that is forwarding all mail it receives to my new email account. Very strange.

March 26, 2003

amnesty on iraq

Amnesty International - Iraq: People come first: Amnesty International's 10-point appeal to all parties involved in possible military action in Iraq.

March 25, 2003

oscars 2003

Well, the results are in from the Oscars pool that I joined with some friends. Here's what I got right:

  • Picture: Chicago
  • Director: Roman Polanski, The Pianist
  • Actor: Adrien Brody, The Pianist
  • Animated Short Film: The ChubbChubbs!
  • Sound editing: The Lord of the Rings: The Two Towers
  • Sound: Chicago
  • Costume Design: Colleen Atwood, Chicago
  • Art Direction: John Myhre, art director, Gord Sim, set decoration, Chicago
  • Visual Effects: The Lord of the Rings: The Two Towers

Granted, I missed most of the major categories, and all the others were just educated guesses. I'll admit, I haven't seen The ChubbChubbs!, which I'm sure is a brilliant masterpiece. I just liked the name. Jeff won with twenty correct answers.

Grrr.

March 23, 2003

students

I taught an "Introduction to Humanities Computing" course about two years ago at the University of Maryland. {One of these days I'll find the html for the course website and repost it here on my UMKC space.} The students completed some fantastic projects during the course of the semester {okay, and some mediocre ones, too}. I thought we had found a permanent home for these projects on a server at UMD, but unfortunately it looks like they're gone. This is very disappointing.

Anyway, I was browsing the web recently and came across Jenny Miller | Heck's Kitchen, which, it turns out, is a website maintained by one of the students from that class. Jenny did a project called "The Golden Age Romance Comics Archive". Reading through Heck's Kitchen reminded me of how narrowly I get to know my students when I'm teaching a class. Jenny's sense of humor, her political concerns, her confidence as a writer, her taste in music {not that different than mine} -- I was aware of almost {almost} none of these things while she was a student in my class.

In A Life in School: What the Teacher Learned {a book which I think is kind of flakey, but also very good in places}, Jane Tompkins shares an anecdote in which she sees a self-assured young woman walking down the street and realizes with some shock that it's a student from one of her classes, a student who never participated in discussions and who, Tompkins assumed, lacked the confidence to do so. {Note: this does not describe Jenny in my class.} At this moment {if I'm remembering correctly} she realized how much the classroom can shape and restrict our behavior and interactions.

In my ideal world, I would be able to develop friendships with students while at the same time being the one who has to be in the position of evaluating and grading them. I still haven't worked out how to do this.

But I would like to.

desire for dialogue

After writing that I would use this blog primarily to to work through issues related to my teaching and research, I find myself wanting to post about the war in Iraq. However, I don't know that I have anything particularly insightful to say. Mostly, I think, I'm saddened by the lack of dialogue taking place between those who oppose the war, and those who are in favor of it. In America, we don't really seem to listen to each other. I'm not sure that either side fully understands the other's position.

I was heartened to get this announcement recently via email from the Dean of the College of Arts and Sciences here at UMKC, Bryan Le Beau:

College of Arts and Sciences to Lead Daily Reflections on the War

In recognition of these difficult times, the following events have been organized and are open to all faculty, staff, and students.

The United States is now at war with Iraq. Regardless of whether you are in favor or opposed, the war has been, and will continue to be, a troubling experience for us all. As a learning and caring community, we need to help one another through these difficult moments; to proceed as if nothing is happening is an inappropriate moral response. Toward that end, I have organized a daily Hour of Reflection to begin on Monday.

The Hour of Reflection
Coordinated by the College Faculty
Noon to 1 p.m. daily
beginning Monday, March 24-Friday, March 28
Lobby of the Performing Arts Center

The Hour of Reflection is not a rally either for or against the war. It is an attempt to provide a safe space for reflection and conversation for our campus and extended campus community.

Anger, fear, and tears are natural in our current situation, but we must be mindful that we are part of a community where striking out against one another accomplishes nothing and is not a reflection of our chosen values.

Please join us to express your feelings, seek information and gain a better understanding of the war in an environment of tolerance and respect.

I hope to be able to make some time to attend some of these as I do my usual stumble through the week.

March 14, 2003

blog of bones

In his brand-new blog, Jason Rhody talks about an empty blog as skin without a body inside, or as a deflated balloon. He provides an image of his blog with no content. Jason does interesting work on gaming and narrative, and his blog is sure to be a good read as it "inflates."

March 13, 2003

c18 and humanities computing

I had lunch with Jeff Rydberg-Cox today {along with his 10-month-old son, Sam} at Nichols Lunch, a Kansas City landmark for 70 years. I've wanted to eat there since I moved here, largely because a friend of mine in Maryland, Phil, had been to KC and told me about it. They serve good, solid diner food to a clientele that looks like they've been coming there since it opened. I had eggs, biscuits, and the first decent grits I've had since I moved here. Not the most balanced meal, but tasty.

Jeff helped me think through some ideas for scholarly electronic projects as well as possible funding sources. My career goals are to keep a hand in humanities computing as well as to do work in the eighteenth century, so this was a very useful conversation to have. Although I'm involved with the art gallery project {not yet publicly accessible} at Romantic Circles, I'd still like to have something to call my own. I'm considering a number of projects, and Jeff is very good at getting down to brass tacks when it comes to funding, staffing, and logistics - and he likes to think big. Tonight I'm chewing over these ideas and thinking about the future.

iraq reading list

NPR: Talk of the Nation -- Host Neal Conan joined David Fromkin, Boston University history professor and author of A Peace to End All Peace: The Fall of the Ottoman Empire and the Creation of the Modern Middle East; Mark Strauss, sr. editor of Foreign Policy magazine; Mike Edwards, contributing writer for National Geographic; and Diana Abu-Jaber, author of Arabian Jazz and the forthcoming Crescent, in discussing the most useful resources for understanding Iraq.

March 9, 2003

c18 blog?

Over on Matt's blog I had asserted that while "it would be great if there were an active eighteenth-century blogging community," I didn't think this was going to happen any time soon. Then I realized that for all I know, there are other eighteenth-century scholars out there blogging away. A couple of searches on Google seem to confirm my original assumption, though. I did come across some interesting mentions of the eighteenth century, however, in discussions of blogging.

I'm not sure that this Fresh Air commentary from Geoff Nunberg gets blogging right, but his connection to the origins of the novel struck me as interesting:

There's something very familiar about that accretion of diurnal detail. It's what the novel was trying to achieve when eighteenth-century writers cobbled it together out of subliterary genres like personal letters, journals, and newspapers, with the idea of reproducing the inner and outer experience that makes up daily life.

humanities / antipodes

Sometimes the most interesting stuff comes through my email.

NSF Antarctic Artists & Writers Program http://www.nsf.gov/od/opp/aawr.htm
The Antarctic Artists & Writers Program provides opportunities for scholars in the humanities (painting, photography, writing, history, and other liberal arts) to work in Antarctica and the Southern Ocean. These visitors will be able to make observations at U.S. Antarctic Program stations and research camps and in wilderness areas. The purpose is to enable serious writings and the arts that increase understanding of the Antarctic and help document America's Antarctic heritage.
The National Science Foundation funds and manages the U.S. Antarctic Program, which is devoted mainly to scientific research and education in support of the National interest in the Antarctic. The program’s research and support infrastructure enables access to much of the Antarctic region.
The deadline for receipt of applications at the National Science Foundation is 4 June 2003. This deadline is for work in the Antarctic during the 2004-2005 austral summer. Applications will not be accepted before 1 May 2003.

walter benjamin

I sat down to re-read Walter Benjamin's "The Work of Art in the Age of Mechanical Reproduction" for my graduate seminar, but I got sidetracked, reading instead his "Unpacking My Library: A Talk about Book Collecting." It's an enjoyable, personal essay that would fit nicely as a companion piece to the essay I intended to read {though I need to re-read "Work of Art" before I'm sure}. Benjamin writes,

Would it not be presumptuous of me if, in order to appear convincingly objective and down-to-earth, I enumerated for you the main sections or prize pieces of a library, if I presented you with their history or even their usefulness to a writer? I, for one, have in mind something less obscure, something more palpable than that; what I am really concerned with is giving you some insight into the relationship of a book collector to his possessions, into collecting rather than a collection (59-60)

In eight pages, Benjamin discusses the memories and associations that each book in a collection evokes for a collector, the strength of the desire a collector feels before a book is acquired, and the organizing logic of a {private} collection often being centered in the collector's desires and interests. In all of this, the contents of a book - the actual act of reading it - is treated as incidental: it's the acquisition and possession that matter:

The most profound enchantment for the collector is the locking of individual items within a magic circle in which they are fixed as the final thrill, the thrill of acquisition, passes over them (60).

Benjamin, Walter. "Unpacking My Library: A Talk about Book Collecting." Illuminations. Ed. and intro. by Hannah Arendt. Trans. Harry Zohn. New York: Schocken Books, 1969.

March 8, 2003

get a load of the new guy

I moved here late last July. I guess I'm still getting used to it. Out on the highway somewhere today, I saw a sign that read "Kansas City, next 10 exits." For half a second I thought, "Kansas City? Wow, I wonder what it's like there."

March 5, 2003

shameless plug

In early 1993, I was sitting alongside Dave Liss in Bob Sattelmeyer's graduate class in American Romanticism. Dave needed a roommate, and I needed a place to live, and within a few weeks I was living in the Candler Park (roughly speaking) neighborhood of Atlanta. Conversations with Dave are probably the reason I became interested in the eighteenth century to begin with. Later, while working on his Ph.D. at Columbia University, Dave decided that he'd rather write a novel than a dissertation, and so he did. In fact, following the success of his first book, Dave's second novel is out just this week. It's called The Coffee Trader.

These books are really fun reads, particulary (I suspect) for people who enjoy historical fiction. It's not a genre I'm usually drawn towards, but I like these two novels a lot.

March 3, 2003

six feet under

A new season of HBO's Six Feet Under begins tonight. {I don't have cable, but a friend tapes it for me.} The Washington Post ran an interview with creator Alan Ball last May.

"The show is about the loss I've felt in my life," Ball says. "The grief I've felt over loss, the people I've lost, situations [lost] that I'd nurtured." He rocks back in his metal chair and puts his feet on the desk. He has dark hair, pale skin -- a round baby face with a goatee and a laugh that erupts unexpectedly, in great huffing guffaws. "It's about moving on. About greeting grief, and being able to move past it."

Tom Shales writes about it in yesterday's Post, and Virginia Hefferman provides her take on the show for Slate. Meanwhile, over at Salon, Heather Havrilesky weighs in.

March 2, 2003

lysistrata project

To someone who studies literature and culture, the uses to which readers put texts are more than a little interesting.

The Lysistrata Project, Theater Artists Against War

On March 3, 2003, the Lysistrata Project will present worldwide readings of Aristophanes's bawdy ancient Greek antiwar comedy Lysistrata. To date, 928 play readings are scheduled in 56 countries and in all 50 U.S. states to voice opposition to the war on Iraq; those numbers increase hourly. Readings will raise money for charities working for peace and humanitarian aid in the Middle East and elsewhere.

At least three readings in Kansas City alone (scroll down to find KCMO).

Perseus has the text of the play online in Greek and in English.

March 1, 2003

pepys diary

At the beginning of the year, Phil Gyford began publishing, in a weblog format, the 17th-century diaries of Samuel Pepys. The text is based on the 1893 edition produced by Henry B. Wheatley. As in the original diary, an entry appears for almost each day. The site is very nicely done, and allows users to contribute annotations to entries with references about which they may have some knowledge.