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March 31, 2004

Book Production and Distribution, 1625–1800

Reminder for GHW: check out this entry by H. G. Aldis in the Cambridge History of English and American Literature (1907-1921) at Bartleby.com. I certainly need to learn more about James Lackington, one of the most successful booksellers of eighteenth-century Britain and an ex-Methodist. Megan Benton first told me about Lackington when I met her at SHARP 2003. He published his Memoirs in 1791, and it looks like they've been reprinted in a modern edition. Amazon.com also lets me know that Lackington gets a mention by James Raven on page 180 of The Practice and Representation of Reading in England.

March 29, 2004

speaking of new media...

...I wanted to mention, again, "Listening Post," by Mark Hansen and Ben Rubin at the Liszt Visual Arts Center. The work is beautiful, eerie, and captivating; a brief piece appeared in the NY Times when the work was at the Whitney. What the Times does not make clear, however, is that the language processed by the piece is pulled live from the Internet. (See this write-up, too.) The wall plaque explains that "['Listening Post'] continuously samples texts from thousands of chat rooms and other online public discussion forums." So you, dear reader, could be part of this exhibit and not even know it.

I felt this info deserved an entry all its own, having been previously embedded in the middle of a rather long entry.

creativity and print / pixels

I've learned from this announcement that the UMKC Center for Creative Studies is asking for applications by May 1 for curriculum development for interdisciplinary courses studying the creative process. You can read the application instructions for yourself. I'm thinking of proposing a course that would be taught by me and by a faculty member from the Art & Art History Department, but I'm not 100% sure what direction to take. A course that involved printmaking and/or bookmaking would be interesting, but I'm also tempted by the possibility of a course involving new media. There are faculty from A&AH engaged in both, so...

But what would a course "studying the creative process" and involving print or new media look like? This is just a blind post asking for suggestions for further reading and research. I will post this to Palimpsest, as well.

honour among punks

I recently purchased a copy of the graphic novel Honour Among Punks, by Guy Davis and Gary Reed. The story is set in an alternate reality where 20th-century England basically never left the Victorian age because World War I took place on much lesser scale and World War II never happened. Technology did not advance as rapidly because, to quote the introduction, "there were no great wars to propel the development of new weapons and all the ancillary benefits that come from military research." In other words, it's like steampunk in reverse. I've just started the book (airplane reading, so I don't know when I'll have time to get back into it until the semester ends), and it's a little rough around the edges in terms of storytelling, but it's fun.

Guy Davis is one of my favorite artists, and I first became addicted to his work when reading the now dearly departed Sandman Mystery Theatre, back issues of which are available in many comic book stores at bargain prices. You should buy them in the groups of four issues by which each story arc was published. It looks like Honour was Davis' first published work, and as the five "acts" progress, one can watch his style mature and evolve. Davis creates incredibly detailed panels with lots of cross-hatching, and yet sometimes things are suggested by a few simple lines rather than delineated fully. Davis' work is in the same vein as work by the much more famous Frank Miller, but I think Davis tends to work on more interesting projects.

March 28, 2004

will you blog the conference?

As I was leaving for SHARP 2003 last summer, Kari asked, "Will you blog the conference?" Having just gotten back from CCCC 2004, Jeff writes, "I really can’t see how people manage to blog conferences in real time. I can’t listen, talk, or type at the same time." I found that I could get a wifi signal in one of the conference meeting rooms at ASECS 2004, but I did not try to blog live. I worry about getting the details wrong in someone's paper (or worse, missing the point altogether). I did take some very detailed notes on my legal pad, imagining myself blogging it later, perhaps in bullet-point format like Kathleen at SCMS 2004, and in this way did thoughts of blogging make me pay better attention than I usually do. But when it came time to consider what to post, I decided that I didn't feel comfortable putting the details of someone else's argument online. This is not to say that I think it's wrong in principle to do this, just that I wasn't confident enough in my own summary of someone else's argument to do so. If this blog were just for my own use, my attitude would be different, but my latest stats say that I get about 400 visits a day, so...

conversation and mutual support

The nicest part of ASECS 2004 was being able to catch up with friends from grad school. The University of Maryland English Department had a powerhouse group of eighteenth-century graduate students there for awhile, and I was as influenced by the remarkable group of peers I found in grad school as I was by my professors. A surprising number of us ended up in tenure-track jobs. Liza Child teaches at Trinity College in D. C. Leigh Eicke is at Grand Valley State University. Mark Pedreira teaches at the University of Puerto Rico. Eleanor Shevlin is with West Chester University. (There are several others who were at UMD with us, but they were not at the conference.) Sharing our experiences and exchanging advice helped me to put my own life into perspective. I feel fortunate.

March 27, 2004

saturday in boston

I feel great. What a fantastic trip!

I attended an interesting panel this morning on teaching eighteenth-century poetry. It was packed: about 40 audience members. While some commentators willfully misrepresent what what the majority of literary scholars are up to--which allows the usual handwringers to decry our field--anyone actually paying attention knows what the real score is. Check out the ASECS 2004 program for yourself. (Note that ASECS is interdisciplinary, so the program features a variety of humanities fields.)

After lunch with Vika, I walked the streets of Boston for about four and a half hours. Chinatown seems bigger and nicer than D.C.'s, but not as big as New York's or San Francisco's. The Granary Burial Ground is where one finds the graves of Samuel Adams, John Hancock, Benjamin Franklin's parents, and several prominent Bostonians of the colonial era. The Boston Atheneum is mostly for members only, but they had a public exhibit entitled The Literature of the Lewis and Clark Expedition, which I perused; you can even buy the book if you like.

Boston Common is one of the oldest public parks in the country, founded in the seventeenth-century. The Unitarian Universalist Headquarters, across the street from the Park, featured giant rainbow flags and a huge banner reading, "Civil Marriage is a Civil Right." Adjacent to the park is Boston Public Garden, the first public garden in America. You can find a "Make Way for Ducklings" statue there, a tribute to Robert McCloskey's book of the same name. (There were also real ducks there, apparently independent of any publications.)

MIT is a short walk across the Charles River over the Harvard Bridge. I wandered the campus and spent a few minutes outside of a pianist's practice space as he rehearsed some beautiful music. The Frank Gehry-designed Stata Center, which will house a number of different departments when it is completed, is impressive, but I have to admit that Gehry's stuff has started to take on the air of schtick to me. The Liszt Visual Arts Center featured some of the coolest work I've seen in a long time. "Listening Post," by Mark Hansen and Ben Rubin, was beautiful, eerie, and captivating; a brief piece on the work appeared in NY Times when the work was at the Whitney. What the Times does not make clear, however, is that the language processed by the piece is pulled live from the Internet. (See this write-up, too.) The wall plaque explains that "['Listening Post'] continuously samples texts from thousands of chat rooms and other online public discussion forums." So you, dear reader, could be part of this exhibit and not even know it.

Walking back towards the river again, I stopped to watch a hawk glide above me to perch on top of a church spire. I stood on the sidewalk, looking up for a few minutes. Then I noticed a woman standing a few feet away from me, with her camera out, watching me, perhaps wondering what I was looking at. The hawk watching the squirrels, me watching the hawk, the woman watching me. I started walked along the sidewalk. The hawk flew along above me, stopping in a tree. Squirrels began making their warning noises to each other. I turned around and the woman was still there, a block away, apparently still watching me.

A nice burrito and a smoothie from a place on Newbury Street, and then back at the hotel. My flight leaves at 5:50 a.m. tomorrow. Yikes!

And so to bed.

lunch with vika

Another quick entry: I just had lunch at Legal Seafoods here in Boston with Vika. We shared a dozen oysters on the half shell, and I had the lobster bisque while Vika enjoyed a bowl of clam chowder. Yum!

Our conversation covered a lot of ground: Burning Man, TEI, humanities computing, the Decameron Web, grant writing, and of course, blogging. Relevant links to be added later.

friday night in boston

I'm pressed for time, but here are two quick stories from last night. Hopefully I'll have time later for more detail:

  • From Catherine Rodriguez, who organized the SHARP panels at this year's ASECS, I learned that eighteenth-century authors Fanny Burney and Hannah More made appearances in Wonder Woman comics as "wonder women of history."
  • When our group left McCormick & Schmick's last night, one of our party was complaining about the waiter as we waited on the sidewalk for a cab. The service was fine, I thought, although a little disorganized. However, a man walked up to us and said, "Excuse me, sir, are you talking about this restaurant? I'm the manager." It was a little disconcerting because he was kind of aggressive, and I was worried at first he was going to defend the honor of his establishment through fisticuffs. But it turns out he just wanted to give us $50 in gift certificates (!). Not wanting to get our server in trouble, we assured him that we were talking about a different restaurant, but obviously he didn't believe us.

March 26, 2004

mission(s) accomplished

Well, I've just delivered my paper. It seems to have been pretty well received, and audience members had some very useful suggestions for me. Yesterday's panel also went well. Tomorrow I have lunch with Vika at Legal Seafoods.

Now for a drink or two at the SHARP cash bar...

March 24, 2004

greetings from boston

I am such a freakin' geek. Here I am at the hotel, and before I even go to my room ... "Oooooh! Thirty minutes of free wi-fi at Starbucks!"

The flights were fine. Spent about an hour at the airport in Cincinnati, which got me thinking about the number of airports I've passed through in cities I've never actually visited: Detroit, St. Louis, Houston, Dallas, Newark, and probably some others I'm forgetting. They all have their own character, but they all share a weird mixture of sterility and grime, jet fuel and bacon fat. Cincinnati reminds me of Atlanta, although maybe that's just the Delta terminals, and Logan, here in Boston, reminds me of La Guardia, but that's just an initial impression.

This is the first time I've been to Boston, although I've been through the airport probably a dozen times on the way to and from Europe. It looks like a great city, and so I'm going to log off and see what I can find.

March 22, 2004

stress management 101

A full plate: a grant proposal due this week; a paper to deliver, and a panel to chair, in Boston; a midterm to write and grade; the usual stack of reading and class prep to complete.

I'm cranky. Thirty minutes of high intensity cardio exercise while listening to Live Through This helps. Now for a shower and some quiz grading.

March 21, 2004

blue sky, sunday morning, coffee and a computer

We spent a few hours last night at the Hitching Post, a dive bar on Troost near 55th, talking with artists, novelists, poets, filmmakers, students, and fellow academics. I revealed to a few people that I keep a blog, and suddenly they want the address.

Weez says my earlier post leaves her wanting more words. Why do I blog? Why do you read my blog? Look at the keywords below my name at the top of the page: literature, technology, culture, education, academia. Do I deliver on that promise? I feel like I don't.

If all I do is tell you details about my life, I start to feel pretty selfish. Why should you care about my life? Some of you knew me before I started blogging. Some of you have met me since I started blogging. Some of you (most of you?) only know me through my blog. I can't tell you everything. I usually leave the bad stuff out, so you're not getting the whole story. Shouldn't that frustrate you?

For a variety of reasons, my life has been turned upside down since about three days before September 11, 2001. But people I work with read this blog, and my family might one day stumble across it, and so I don't reveal everything here. In this way, perhaps, I'm cheating you.

March 16, 2004

the news we follow

Two hundred people died in Spain when bombs exploded on commuter trains. Did you also know that 337 people were killed in Uganda last month at a camp for displaced people?

According to American media, mayhem in Europe is big news, apparently, but mayhem in Africa is not.

March 15, 2004

i am trying to break your heart

I don't mean to neglect you, dear reader, it's just that I'm having one of those periods of blogging crisis. You know, "What's it all about?" and "What's a blog for?" That kind of thing. *sigh* I'm being a selfish reader, not leaving comments, not sending trackback pings to entries on others' blogs.

Well, here are a few links for ya:

  • I highly recommend H. J. Jackson's Marginalia: Readers Writing in Books (New Haven: Yale UP, 2001).
  • I'm also finding the essays in Books and their Readers in Eighteenth-Century England: New Essays (London: Leicester UP, 2001) to be quite engaging.
  • This has to be the most bitter song I've ever heard (and yes, the radio edit is just about incomprehensible). Eamon is one angry guy. If you haven't heard it, the most striking thing about the song is that if you didn't listen to the lyrics, you would assume it's a love song or a song about losing someone special.
  • I'm off to ASECS 2004, next week and any suggestions for things to do or see in Boston when I'm not at the conference are welcome.

March 12, 2004

orgasmic retribution fiber

I've been fighting a fever all day. Not much sleep last night and many weird dreams. The last words I remember from my last dream: "orgasmic retribution fiber." I have no idea what it means, either.

And while we're on the subject of surreal wordplay, I am saddened to learn that Dave Blood, bassist for the Dead Milkmen, has commited suicide. I can't say I was ever a big fan, but the Dead Milkmen were the first band I ever interviewed back when I was a fledgling music journalist in Atlanta. Although I did a terrible job, and although they had a reputation for skewering morons, they were very kind to me, and I managed to write up an article that didn't suck too badly.

Perhaps this isn't a song Blood liked, but it's one I think of whenever I hear of another suicide.

March 11, 2004

visualizing social networks in shakespeare's plays

Via Slashdot: "By feeding PieSpy with the entire texts of Shakespeare plays, it became possible to produce drawings of the social networks present in his plays - it is now possible to visualize the relationships between the characters in his works." I don't have time to investigate this tool fully right now, but one thing I like is that it maps these networks through the course of the play using an animation. Texts are not static objects; they change over time as the reader or viewer experiences them. Our visualizations of elements of texts should therefore be dynamic.

March 10, 2004

it's a long way...

We're on spring break this week, and in addition to reading about the history of reading in preparation for finishing up my paper to be delivered later this month at ASECS, I've been watching movies. One of them, School of Rock, is just pure escapist fun that easily transcends a fairly tired trope: the substitute teacher who turns out not to be what s/he seems.

A highlight of the movie is Jack Black's character, Dewey Finn, leading his young, prep-school students in a rehearsal of AC/DC's "It's a Long Way to the Top (If You Wanna Rock & Roll)", originally released on the 1976 album High Voltage. While I now have fairly eclectic tastes in music, I used to be a big fan of hard rock and heavy metal, and AC/DC was one of my favorite bands in high school. The lyrics to this particular song, however, resonate in a completely different way now that I'm involved in a profession where so many smart people spend so much time in adjunct positions with meager benefits and no job security: "Gettin' ripped off / Under-paid / Gettin' sold / Second hand."

Complete lyrics below the fold.

Ridin' down the highway
Goin' to a show
Stop in all the byways
Playin' rock 'n' roll
Gettin' robbed
Gettin' stoned
Gettin' beat up
Broken boned
Gettin' had
Gettin' took
I tell you folks
It's harder than it looks

It's a long way to the top if you wanna rock 'n' roll
It's a long way to the top if you wanna rock 'n' roll
If you think it's easy doin' one night stands
Try playin' in a rock roll band
It's a long way to the top if you wanna rock 'n' roll

Hotel motel
Make you wanna cry
Lady do the hard sell
Know the reason why
Gettin' old
Gettin' grey
Gettin' ripped off
Under-paid
Gettin' sold
Second hand
That's how it goes
Playin' in a band

It's a long way to the top if you wanna rock 'n' roll
It's a long way to the top if you wanna rock 'n' roll
If you wanna be a star of stage and screen
Look out it's rough and mean

It's a long way to the top if you wanna rock 'n' roll
It's a long way to the top if you wanna rock 'n' roll
It's a long way to the top if you wanna rock 'n' roll
It's a long way to the top if you wanna rock 'n' roll

Well it's a long way
It's a long way, you should've told me
It's a long way, such a long way

March 7, 2004

the september project

Check it out:

The September Project. On December 18, 2001, Congress designated September 11th a national holiday named “Patriot Day.” We believe the most patriotic gesture citizens can make is to gather locally in public libraries across the country and contribute to a national conversation -- on this day and beyond.

March 3, 2004

online resources: history of the book

As I do a little research in the library this afternoon, I'd like to record links to these valuable online resources:

March 2, 2004

my career as a vandal

g.and.rollins.columbia.jpeg

During my recent trip to Columbia, Missouri, I admired all the indie rock flyers plastered throughout town. Friday night, Henry Rollins was performing. Although you can't read them in this pic--taken on her Treo 600 by my esteemed medievalist colleague and sometimes blog commenter, G1--I wrote some snarky things that afternoon on the Rollins flyer to my left that are probably best left to your imagination.

March 1, 2004

light the candle on the cake

I began this blog one year ago today, soon after--and largely inspired by--Matt.

No time for reflection right now, but perhaps later.