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November 30, 2004

mortality of the humanities

"When the academic humanities are finally, definitively destroyed by the studied, self-important irrelevance of theorists' dogmatically inaccessible progressivist stance, no one will be able to complain that there were not cogent warnings of what was to come." -Erin O'Connor

If the academic humanities are finally destroyed--and reports of this impending destruction are greatly exaggerated--it will not be because of theorists. Death will come when people finally give in to the notion that institutions of higher education should be financially profitable enterprises run like corporations, and when they give in to the notion that the purpose of higher education is to allow those who partake of its benefits to earn more money at their jobs. What chance do the humanities have then? It won't matter if humanities academics are writing like Jacques Derrida or like Cleanth Brooks. All the good writing in the world will not save the academic humanities at that point.

"This thing upon me like a flower and a feast. This thing upon me crawling like a snake. It's not death, but dying will solve its power ... And as my hands drop a last desperate pen in some cheap room they will find me there and never know my name, my meaning, nor the treasure of my escape." -Charles Bukowski

November 29, 2004

wifi everywhere! or, history of the black crowes

Is it at all possible to find an independent coffee shop in downtown Kansas City that doesn't have free wireless Internet access? Predictably, Starbucks charges for theirs, but it's wide open just about everywhere else. If I want to support local coffeeshops, I have to contend with the lure of the Internet (or just leave the laptop at home); if I want to avoid that lure, I have to spend time with the Great Satan. So here I am at the Cup and Saucer, grading, and trying to avoid various online responsibilities.

I'm just stopping in, dear reader, to opine briefly on Atlanta's Black Crowes. When I was a wee undergrad and local hack music writer, the Black Crowes were called Mr. Crowe's Garden, and they were firmly part of the jangly southern bands on college radio crowd (see R.E.M., Let's Active, the D.B.'s, and various Athens, GA: Inside/Out bands). Then they got a record deal, went into the studio, and came out a few months later with a new band name and sounding like a cross between early '70s Rolling Stones and late '70s Aerosmith. The cool thing to do, of course, was to lament how they had "sold out." But I'll let you in on a secret: I really like the Black Crowes. When you're down in the dumps, crank up Shake Your Money Maker.

letter writing in renaissance england

Those of you in the D.C. area might want to stop by this exhibit at the Folger:

This exhibition devotes itself to the myriad processes of letterwriting: the penning, sending, receiving, reading, circulating, copying, and saving of letters. The text of a letter provides one part of the story, while its very tangibility --the ancient folds, the grime and fingerprints deposited by the writer, deliverer, and readers, the broken seals, the ink blots, the idiosyncratic spelling, the location of a signature--tells another. An understanding of a letter's written and unwritten social signals brings into focus a fuller, grittier, and ultimately more convincing picture of everyday life in early modern England.

(Via WaPo.)

dealing with writer's block

"Hack your way out of writer's block," at 43 Folders. I think my favorite is "Talk to a monkey - Explain what you’re really trying to say to a stuffed animal or cardboard cutout." In general, I subscribe to the "Write for 10 minutes no matter what" technique. A good way to start the day with a strong cup of coffee.

November 28, 2004

summer institute on franklin

This 2005 summer institute at the National Humanities Research Center looks interesting:

Benjamin Franklin: Reader, Writer, Printer
Led by Peter Stallybrass (University of Pennsylvania)
July 10-15
This seminar will focus upon Benjamin Franklin's Autobiography, and in particular upon his detailed descriptions of what and how he read from when he was a child, on his material practices as a writer, on his fascination with authorship and anonymity, and on his work in every aspect of the book trade.

November 27, 2004

hits and misses

They did it their way: "The Telegraph's music critics select the 50 best cover versions ever recorded"

This list gets some things wrong: Johnny Cash's cover of Nine Inch Nails' "Hurt" is much better than his cover of U2's "One." The Bangles doing "Hazy Shade of Winter"? Give me a break! Jeff Buckley's version of Leonard Cohen's "Hallelujah" over John Cale's version? Wrong.

Meanwhile, what about Tori Amos' version of Nirvana's "Smells Like Teen Spirit," or the Sundays doing the Rolling Stones' "Wild Horses"?

Bah!

November 26, 2004

analog remediates the digital

I came across a description of this device in the latest issue of ReadyMade:

gramophone.jpg

It's all the rage these days to put your vinyl collection on CD. But one electronics manufacturer is being particularly literal. Japanese edutainment company Gakken recently released Gramophone: The Disc Player, a twisted throwback that lets you record sound onto discarded CD's by cutting grooves into their surface.

The device, which retails online for about $40, arrives in 41 pieces and requires an hour of assembly. The final step is to add your own sewing needle, used to both record and play sound on plastic. When you set the battery-powered device to record, the turntable rotates while its cone picks up vibrations in the air and, with the needle, etches a corresponding pattern onto a CD's surface. The needle uses a lighter touch for playback, pulling Ray Charles from that thrashed Wham! disc.

Like the late 1800's original, this gramophone is rather primitive. It's can't record off an external microphone, nor can it connect to stereo speakers, and the sound of etched plastic isn't as crisp as on the vinyl. You'll have to keep a supply of needles on hand, each lasts about 10 recordings. But there is good reason to buy one. Gakken says the device is flexible enough to be used with almost any soft, plastic material. You'll be the first DJ to rock the party with a set of instant-ramen lids."

November 24, 2004

thankful for the food

Check out last year's distributed Thanksgiving cookbook, brought to you via the magic of TrackBack. (And you might be interested in the recipes linked here, too.)

weather alert

We woke up to between 3 and 5 inches of snow. And it's still coming down.

November 23, 2004

road trip with a friend

Kansas City to St. Louis. Taco Bell. American Whiskey. American Beer. The Pageant. Jessie Malin. Ryan Adams. Denny's. Motel 6. Waffle House. St. Louis to Kansas City. Dairy Queen.

The best use of 24 hours in a long time.

my first book...

...with a cameo by our geriatric cat.

November 22, 2004

two new purchases

persepolis2.gif
Persepolis 2, by Marjane Satrapi

two.towers.gif
In the Shadow of No Towers, by Art Spiegelman

universal theory

Don't read this autobiographically, dear reader, but I've been wondering (based on a number of conversations with others recently) if there might be a universal theory of calling it quits. How can you tell when it's time to...

  • ...end a bad romantic relationship?
  • ...give up on a creative project?
  • ...toss an intellectual project in the dustbin?
  • ...stop taking your drunk relative's calls?
  • ...leave an unsatisfying job?
  • ...cease trying to rehabilate an unproductive bunch of students?

Or do you take Winston Churchill's words to heart and never give up?

November 21, 2004

book arts

I need a new creative outlet, so this weekend I took a trip to Urban Arts and Crafts and picked up a copy of More Making Books by Hand as well as some book making supplies.

After a little googling, I found The Book Arts Web, which features The Bonefolder, a book arts e-journal.

Among the continuing education classes at the Kansas City Art Institute is this one:

Bookmaking for Beginners This class will provide information, demonstrations and some in-class work time for making different types of one-of-a-kind and small edition books. Topics to be covered include simple book design and materials, several different binding styles and techniques, the basic operations of cutting, gluing and folding, page design and layout, and the use of text and different styles of type. Ideally, students will already have some ideas about content that might be all visual or more writing oriented or that incorporates both image and text. Students will also need to provide their own means of producing pages, such as access to an inkjet or laser printer, a commercial shop such as Kinkoís, or their own drawings, photographs or other artwork on paper that they want to make into a book.

I'm considering signing up, and I'll keep you posted.

neh summer seminar

This summer institute from the National Endowment for the Humanities looks interesting:

THE HANDWRITTEN WORLDS OF EARLY MODERN ENGLAND
Dates: June 20-July 29, 2005 (6 weeks)
Steven W. May, Georgetown College, KY
Faculty: Julia Boffey, Victoria Burke, S. P. Cerasano, A.S.G. Edwards, Mary C. Erler, Margaret J.M. Ezell, Adam Fox, Laura Gowing, Harold Love, Alan Stewart, Paul Werstine, H. R. Woudhuysen
Information: Kathleen Lynch
Folger Shakespeare Library
201 East Capitol St., SE
Washington, DC 20003-1094
202-675-0333
i n s t i t u t e AT f o l g e r DOT e d u

Maybe I'll apply. I'll write for more information. What is an NEH Summer Institute?

Institutes provide intensive collaborative study of texts, topics, and ideas central to undergraduate teaching in the humanities under the guidance of faculties distinguished in their fields of scholarship. Institutes aim to prepare participants to return to their classrooms with a deeper knowledge of current scholarship in key fields of the humanities.

Keep this in mind the next time proposals come around (and they will be coming around) to gut the funding for the NEH.

November 17, 2004

you mean it's not all sweetness and light?

Via a number of sources: "Cracks in the Ivory Towers," bu Polly Curtis and John Crace, in the Guardian.

Although the article is about a report on academic life in the UK, it presents much to think about concerning what's going on in America, too.

the story so far

During the last couple of weeks I've been staying downtown, where I live, on the days I don't teach, rather than go in to school. This change in work habits seems to be working pretty well. I walk a couple of blocks to a coffee shop first thing, read and write for a few hours, then head to the downtown library and do some class prep.

There are only about 4 weeks left in the semester, and a bunch of grading is on the horizon. My classes are going pretty well, although since it's been awhile since I taught composition, I had forgotten (not for long!) the dramatic difference between the student population that takes composition and the population that takes upper-division English classes. Although I am not a rhetoric/composition specialist, I would like to stay committed to teaching writing on a relatively regular basis. I'm rusty right now but getting better, I think. I teach the same course again next semester.

We'll have a couple of friends over for American Thanksgiving next week (note that our neighbors to the north celebrated last month), which should be fun. The mini-break offered by this holiday is always welcome.

My health is pretty good. No hearing problems. I'm sleeping okay, and my energy level is not dragging. I eat the right kinds of things (lots of fruits, veggies, whole grains), but if someone brings candy into the office, I pretty much have to eat it all at one sitting until it is gone. I try to share to avoid this happening.

This afternoon, there's an Honors Program colloquium to attend, and tonight, I give a guest talk in one of my colleagues' classes on Alan Moore's From Hell.

November 16, 2004

bad thing

Via Tom Tomorrow:

bad.thing.jpg

questioning the role of gutenberg

This came over the SHARP listserv today:

Nov. 12, 2004 — Johannes Gutenberg may be wrongly credited with producing the first Western book printed in movable type, according to an Italian researcher.

Presenting his findings in a mock trial of Gutenberg at the recent Festival of Science in Genoa, Bruno Fabbiani, an expert in printing who teaches at Turin Polytechnic, said the 15th-century German printer used stamps rather than the movable type he is said to have invented between 1452 and 1455.

More...

contempt for whom?

There's been a lot of commentary since the election about how the Democrats need to rethink their identity in order to capture the voters needed to have a meaningful presence again, that they lost so badly because they've turned away from "heartland" American values. What the Democrats face reminds me of the old joke:

Two friends are backpacking in the woods when they are surprised by a bear intent upon eating them. One of them pulls his running shoes out of his backpack and starts lacing them up.
"Are you crazy?" his friend asks. "You can't outrun that bear."
"I don't have to. I just have to outrun you."

I do believe that the Democratic Party needs to articulate its positions better (paging George Lakoff), and to do so in a positive rather than a reactive way. However, let's be realistic. The Democrats don't need to win that many people over to their side for the midterm elections in two years or the presidency in four.

The 2004 election no more represents some sort of sea change in American politics and culture than the 1996 election did. In 1996, Bill Clinton received 47 million votes to Bob Dole's 39 million. In 2004, George W. Bush received 59 million to John Kerry's 56 million. The second election represents a much slimmer margin of victory than the first. (Note: I'm not denying that Bush won in 2004. Nor am I denying that more people voted for a candidate other than Clinton in 1996 than voted for Clinton. But did you notice how many more people voted for Kerry this time around than voted for Clinton for his second term?)

My own opinion is that if the Dems can succeed in reframing the debate, as Lakoff suggests they should, they do not need to act like conservatism-lite; they can actually stand up for the progressive values that those of us on the left end of the political spectrum believe are central to the American identity. At the very least, if progressives don't start learning who Frank Luntz is and what he does and why it works, then we don't have anyone to blame but ourselves for our failures.

Finally, Dems are currently enduring a lot of lectures telling them that they are elitist and out of touch, that they have contempt for middle-American values, that the urban centers that are their power base are not the true America. Let's call these lectures what they are: political posturing intended to put the Democrats on the defensive and to continue to define them negatively against their will. Bush won by a margin of only 3 million votes. Kerry received more votes than Bill Clinton in 1996. These numbers do not tell us that the Democratic Party is out of touch or that American voters are turning away in droves.

As for the values in New York, in Philadelphia, in Washington D.C., in Chicago, in San Francisco, in Los Angeles...these are American values, too. People from all over the world flock to these cities and become American citizens because of the promise this country offers them. The people living in Peoria, in Iowa City, in Charlotte, in Topeka...these people, hardworking and respectable to be sure, do not have a monopoly on what it means to be an American.

November 15, 2004

http://www.palimpsest.info

Ok, MovableType 3 has been installed, and Palimpsest is back up and running on the CHLT server. Those of you who had accounts under the old installation should be able to log in as usual; if you have trouble, please let me know. Those of you who would like to contribute to Palimpsest, send your preferred username and password to my wordherders address. Please help spread the word of this site's existence where you can.

And if you'd like to volunteer to help out with the design, let me know about that, too.

November 14, 2004

weird blacklist error message

I'm getting an odd couple of error messages on the latest version of MT-Blacklist as I work on setting up a new installation of MovableType as I work on the new version of Palimpsest. First, I notice that after a user posts a message, they get the regular "Thank you" notice and then this:

Use of uninitialized value in substitution (s///) at plugins/Blacklist/lib/Blacklist/App.pm line 44.

Second, at the bottom of the main Blacklist admin page, I get this:

Use of uninitialized value in concatenation (.) or string at /home/gwilliams/public_html/cgi-bin/extlib/File/Spec/Unix.pm line 78.

Neither of these appears to affect negatively the function of MT or of Blacklist. Any thoughts on how to get rid of these?

headphones on television with no jack?

Help me Obi Wan Lazyweb. You're our only hope. We have a Magnavox television (19pr14 c122) with no headphone jack or RCA outputs. All it has is a connection for cable on the back. Is there any way to listen to the television using headphones so that the sound from the speaker cannot be heard by those who are not watching?

you know you're addicted to caffeine...

...when you wake up with a splitting headache at 5:00 a.m. because your body needs an espresso-strength jolt. "I drink coffee so I can sleep" sounds pretty crazy, doesn't it?

cfp re: jd in pmc

Postmodern Culture is soliciting full-length essays reading the work of Jacques Derrida for volume 15, number 3 (May 2005), a special issue celebrating the work of Derrida edited by Eyal Amiran, Paula Geyh, and Arkady Plotnitsky. Please send submissions and queries to amiran {at} msu {dot} edu by March 1.

[You might also note, by the way, that the current issue of PMC features an essay entitled "The Time of Interpretation: Psychoanalysis and the Past," by Wordherder Jason Jones.]

November 13, 2004

r.i.p. o.d.b.

Via CNN. See also this statement from his mother:

"This evening I received a phone call that is every mother's worst dream," she said. "My son, Russell Jones, passed away. To the public, he was known as Ol' Dirty Bastard. To me, he was known as Rusty, the kindest and most generous soul on earth. I appreciate all the support I received. Russell was more than a rapper — he was a loving father, brother, uncle and most of all, son. With love, Cherry Jones.“

November 12, 2004

"Using a New Language in Africa to Save Dying Ones"

A fascinating article in today's New York Times by Marc Lacey:

Across the continent, linguists are working with experts in information technology to make computers more accessible to Africans who happen not to know English, French or the other major languages that have been programmed into the world's desktops.

There are hundreds of languages in Africa - some spoken only by a few dozen elders - and they are dying out at an alarming rate. The continent's linguists see the computer as one important way of saving them. Unesco estimates that 90 percent of the world's 6,000 languages are not represented on the Internet, and that one language is disappearing somewhere around the world every two weeks.

"Technology can overrun these languages and entrench Anglophone imperialism," said Tunde Adegbola, a Nigerian computer scientist and linguist who is working to preserve Yoruba, a West African language spoken by millions of people in western Nigeria as well as in Cameroon and Niger. "But if we act, we can use technology to preserve these so-called minority languages."

Language geeks, and computer geeks, and progressives unite!

November 11, 2004

how journalists distort science

Via Slashdot:

The scientist's job is to discover truth about the natural world, and the journalist's is to report the world's events accurately. Why are these two professions so often at odds? Chris Mooney discusses how journalism fails science in this month's Columbia Journalism Review. If you applauded Jon Stewart's plea to "stop hurting America," Mooney's analysis will strike a chord; the he-said-she-said approach to truth fails in all kinds of venues.

Mooney's discussion has a compelling opening:

On May 22, 2003, the Los Angeles Times printed a front-page story by Scott Gold, its respected Houston bureau chief, about the passage of a law in Texas requiring abortion doctors to warn women that the procedure might cause breast cancer. Virtually no mainstream scientist believes that the so-called ABC link actually exists — only anti-abortion activists do. Accordingly, Gold’s article noted right off the bat that the American Cancer Society discounts the “alleged link” and that anti-abortionists have pushed for “so-called counseling” laws only after failing in their attempts to have abortion banned. Gold also reported that the National Cancer Institute had convened “more than a hundred of the world’s experts” to assess the ABC theory, which they rejected. In comparison to these scientists, Gold noted, the author of the Texas counseling bill — who called the ABC issue “still disputed” — had “a professional background in property management.”
Gold’s piece was hard-hitting but accurate. The scientific consensus is quite firm that abortion does not cause breast cancer. If reporters want to take science and its conclusions seriously, their reporting should reflect this reality — no matter what anti-abortionists say.
But what happened next illustrates one reason journalists have such a hard time calling it like they see it on science issues. In an internal memo exposed by the Web site LAobserved.com, the Times’s editor, John Carroll, singled out Gold’s story for harsh criticism, claiming it vindicated critics who accuse the paper of liberal bias.

November 10, 2004

turning each page is like making a bed

In the bits of time available to me, I've been reading Audrey Niffenegger's novel The Time Traveler's Wife. It's really quite lovely, and it features as one of the main characters Henry, a librarian for the Newberry who (involuntarily) finds himself temporarily transported backwards and forwards in his own life. What's not to like? In one scene, an older Henry encounters his younger self after hours in a museum. Taking himself to the rare books collection, he pulls down a copy of "Audobon's Birds of America, the deluxe, wonderful double-elephant folio that's almost as tall as my young self. This copy is the finest in existence" They sit and look at the gorgeous plates together while waiting to be returned to their respective times and places:

Turning each page is like making a bed, an enormous expanse of paper slowly rises up and over. henry stands attentively, waits each time for the new wonder, emits small noises of pleasure for each Sandhill Crane, American Coot, Great Auk, Pileated Woodpecker. When we come to the last plate, Snow Bunting, he leans down and touches the page, delicately stroking the engraving. I look at him, look at the book, remember, this book, this moment, the first book I loved, remember wanting to crawl into it and sleep. (35)

What dedicated reader would not recognize her- or himself in this passage? I like the suggestion here of reading as a kind of time travelling, taking us out of the present and sometimes taking us back to contact a previous version of ourselves.

Niffenegger, by the way, is a professor in the Interdisciplinary Book Arts Program at the Columbia College Chicago Center for Book and Paper Arts.

instant messaging: the new office hours

I'd like to hear from others about their experience using instant messaging as a means of interacting with students (or with professors, if you are a student). I put my IM info on all my syllabi, and I tell my students that if they catch me logged in, they can ask me questions, discuss assignments, or just talk about whatever they like. I'm logged in pretty frequently, and I find that I interact with students much more in this way than during live, in-person office hours.

Now, when I was an undergrad myself, I never made use of professors' office hours: there just never seemed to be a good reason. It seems that I was not unusual given that my students now don't really drop by very often, either. So I'm wondering:

  1. Do students make use of your in-person office hours?
  2. What are the advantages and disadvantages of using IM in addition to traditional office hours?

Cross-posted at Palimpsest.

write your own book

From a letter sent in to Bob Mould's blog:

I don’t want to fight against any group, no matter how hateful. I want to fight FOR something positive. I just don’t know what to do or what group to join or even if joining a group or political party is the answer just yet. The past four years have made me want to become more politically active, the past week has sent me over the edge of the cliff. Last Monday night I saw someone from your past, in concert. Mike Watt was here in Atlanta doing his new piece. He still speaks the old Minuteman credo at the end of his show. Start your own band. Paint your own painting. Write your own book.

November 9, 2004

"tear down this wall"

Fifteen years ago today the Berlin Wall began to come down. In December of 1999 I flew to Berlin, walked up to the wall with a hammer, and pounded on it until pieces fell off in my hand. I was there when they opened the Brandenberg Gate.

Crooked Timber has some relevant links.

November 7, 2004

if i exorcise my devils

And I admit that I ain't no angel
I admit that I ain't no saint
I'm selfish and I'm cruel but you're blind
If I exorcise my devils
Well my angels may leave too
When they leave they're so hard to find
--Tom Waits

November 6, 2004

rebooting palimpsest

All previous Palimpsest posts have been imported right here.

I'm working on getting this site going again. Maybe it will be back up on the CHLT server, and maybe it will be somewhere else. I'm doing a test run of TypePad.

The downside of TypePad is this: in order to have multiple authors, you need to get the "pro" account, which costs $14.95 a month. If I could get 11 participants to each pay $14.95 along with me, then we'd have a year of edu-blogging ready to go. What do you say? Alternately, do any of you know of other hosting solutions that would be cheaper?

Regardless of where Palimpsest ends up, I hereby solicity additional participants. It does not matter how experienced a teacher you are. It does not matter if this is your first semester teaching as a grad student, or your 30th semester teaching as a full professor. Let me know if you're interested.

November 5, 2004

"reading at risk" forum

Three hundred people came to a forum on the NEA's "Reading at Risk" report. There were four speakers:

  • Mark Bauerlein, Director, Office of Research and Analysis, NEA
  • John Mark Eberhart, Books Editor, Kansas City Star
  • Helma Hawkins, Director of Youth Services, Kansas City Public Library
  • Robert Stewart, UMKC Professor of Creative Writing and Editor of New Letters

I took rough notes (PDF, 78K) on their talks and on the question-and-answer period.

November 3, 2004

and so to bed

Can't sleep. Must sleep.

November 2, 2004

lots of election day blog entries

In no particular order:

November 1, 2004

creativity and generosity

The Wired CD: "Rip, mix, burn. Swap till you drop. The music cops can't do a thing - it's 100 percent legal, licensed by the bands." Brought to you by Wired magazine, Creative Commons, and several forward-thinking musicians. After November 9, you can download the tracks from the CC website. Until then, use the links below:

Yes, the election is tomorrow. Go download some free and legal music from Protest-Records. I recommend these tracks, in particular: